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Perhaps the most exciting wood masks are those of the witches and what are called low spirits. The low spirits, who can be troublesome if no appeased, are sometimes describe by Westeners as demons. This is inaccurate, since low spirits have power to perform good deads and provide protection. The Balinese do not separate the supernatural from the natural. The spirit world is a living force that must be recognize and appeased through rituals and offerings. Because the Balinese grant the masks powers that befit their roles and society, the masks of witches and low spirits are the largest and most grotesque of all traditional masks. The imposing wigs on most of these wood masks magnify the head and stature of the wearer. A basket device attached inside the construction holds it to the wearer's head. Since the arrangement is relatively unstable, dancers often steady their unwieldy wood masks while they perform. In some parts of Bali, trance is a frequent part of ritual; elsewhere, it is nonexistent. In Calonarang and Barong mask dramas, trance is common. The subject matter of these dramas is witchcraft, the supernatural, and the battle of positive and negative forces. The major characters, Durga, the Goddess of Death as Rangda, and Barong Ket, Lord of the Jungle, battle with every ounce of magical power they can harness, occasionally assisted by armies. n95 mask india Kerambitan in southwest Bali is one of the areas known for highly active spirits and the frequencies of trance possession. A dancer who once worked as director of Bali's Art Center tells a story about the Rangda and Barong masks of Kerambitan, his village: "Our priest had a dream that Rangda and Barong masks must be part of the village temple, so we had them created in the prescribed manner. Once they were brought to their temple home, they began fighting with each other while they were inside their baskets. They created so much noise and tension that the masks had to be separated. " Although the Rangda mask was moved to another temple, the two mask still fought and the Rangda mask was moved to another village. On the mask's birthday, the day they were both consecrated, they had to be united in the temple again. Rangda was brought from the other village, displayed in the ceremony, and then immediately put away.

Balinese Mask With Supernatural Energy n95 mask in store Masks are regarded as powerful receptacles for wandering spirits. A wooden mask filled with divine energy becomes tenget (metaphysically charged). Made from a particular wood that is cut at specific times, tenget masks are generally associated with a certain number of rituals. Wooden masks in a tenget state may lose some of their special energy over time and need to be "recharged" in a special ceremony Initiations of renewed or new masks, called pasupati, can involve as many as ten days of feasting, performances of dance and Wayang Kulit (shadow puppets), cockfights, and processions. A high priest is called to officiate the exact moment when the "body" of the wood mask separates from the "head" (spirit) and the god inhabiting the wood mask is "sent home". After the newly vitalized mask is returned to the temple, another set of ceremonies is held to invite the spirit back to the wood mask. The powerful mask of Durga, Goddess of Death and Black magic, and sometimes called Rangda is occasionally tested to see if its power is still burning. If explosions of fire come from the eyes, ears, head, nose, or mouth of the mask, it is considered sakti (sacred or powerful). It is placed in the village cemetery in the middle of the night during an especially auspicious time called Kanjeng Kliwon Pamelastali, a powerful time when spirits are present and must be acknowledge with offerings.

Sacred wood masks are never displayed on walls as works of art as in Western homes, but are kept in simple fabric bags with drawstring tops. The color of the bag is important-whether yellow, white, or black-and-white checked-because color symbolism affects the spirit of the wood masks. Once encased in the bags, the wood masks are placed in baskets, which in turn are stored within the temple complex. If a wood mask belongs to an individual, it will probably be kept inside the family temple. Sacred wood masks are only displayed for their birthdays, which will be apart of an odalan, or temple festival. Dancers unveil their wood masks when commissioned to perform at an odalan. Only rarely is a wood mask uncovered in order to be reconditioned: the paint refreshed, worm holes filled, and gold leaf touched up. This is never done casually, but in conjunction with elaborate rituals. n95 mask in amazon Masks made from the same tree are felt to have family ties. When a tree produce a knot like growth, it is called beling, which means "pregnant. " Care is taken not to damage the tree, and when the cut is made, a special ceremony is held to appease the spirits of the tree. If these rituals are not followed, a spiritually powerful tree could use its energy to cause destruction. In Singapudu village, home of two Bali's most renowned woodcarvers, wood is no longer taken from an especially tenget tree that grows at the edge of the village. Two priests performed the requisite ceremonies before removing wood, but within a week both died of mysterious causes.

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